Now I'm trying to decide how to display them, in groups of three, or four or singley. I quite like the set of three or four as it gives rise to the idea of 'time passing', and possibly 'film', that almost old fashion medium (with sprocket holes), much superceded by video format.
One has to work very fast to get the paint down as the sky is changing swiftly all the time. So these probably took half an hour on average . It is really difficult to be sure as I always forget to check the time. Sometimes I'd get there and wait a bit to summon the energy; sitting, contemplating till it felt 'right' to start (better late then never), sometimes weary(or lazy) and mesmerised by the splendour and drama of it all. Then urge myself into action working, against the clock to beat the fading light, till I can't see the colours I'm mixing - it can feel rather futile trying to attempt this.(once or twice I didn't even get going)
Often I'll listen to music a walkman, Bach piano sonatas/partitas are good, they seem to stop out other thoughts and interruptions, helping the mind (and paint) to flow - the melody lines interweaving, stir feelings and energy, somehow relating to interweaving evolving cloud patterns.
Bach Partita no2